The Basic Principles Of metafora
The Basic Principles Of metafora
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Here’s a suggestion: A lifeless metaphor is really a cliché that has grown to be so commonplace that the imagery has missing its energy. Samples of lifeless metaphors include: “raining cats and puppies,” “throw the infant out Together with the bathwater,” and “coronary heart of gold.”
Some theorists have prompt that metaphors aren't simply stylistic, but that they are cognitively essential also. In Metaphors We Dwell By, George Lakoff and Mark Johnson argue that metaphors are pervasive in daily life, not only in language, but in addition in imagined and action. A common definition of metaphor can be called a comparison that reveals how two points that aren't alike in many techniques are equivalent in An additional essential way. They explain how a metaphor is solely knowledge and enduring one particular form of factor when it comes to another, called a "conduit metaphor".
A metaphor is undoubtedly an implied comparison, as in "the silk from the singer's voice." This is often in contrast to the specific comparison in the simile, which uses like
Fundamento: la similitud entre los fletes y los animales de carga, ambos capaces de transportar peso.
An implicit metaphor has no specified tenor, although the automobile is current. M. H. Abrams provides the following for instance of the implicit metaphor: "That reed was much too frail to outlive the storm of its sorrows".
, such as, arises from an Previous English term this means "day's eye." The ray-like visual appeal from the daisy, which opens and closes Using the Sunlight, is reminiscent of an eye that opens in the morning and closes at night. The expression time flies
Več kot dvatisočletna zgodovina teorije metafore sega k Aristotelu, ki je o metafori pisal v Poetiki in Retoriki. V 21. poglavju njegove Poetike beremo, da je metafora »prenos pomena na neko drugo besedo, in sicer ali od splošnega (roda) na neko vrsto ali od neke vrste na splošno (rod) ali od ene vrste na drugo vrsto ali po analogiji«.
Ini terjadi ketika dua metafora yang tidak terkait digabungkan, seringkali menghasilkan efek yang lucu atau membingungkan.
The Philosophy of Rhetoric (1936) by rhetorician I. A. Richards describes a metaphor as getting two pieces: the tenor and also the vehicle. The tenor is the topic to which characteristics are ascribed. The auto is the article whose attributes are borrowed.
Majas adalah salah satu bentuk gaya bahasa untuk mendapatkan suasana dalam sebuah kalimat agar semakin hidup. Majas memiliki banyak jenis, salah satunya yaitu majas metafora.
La decoloración se create cuando se rompe una relación critical. Los corales albergan diminutas algas de colores, una relación mutuamente beneficiosa que existe desde mucho antes de que se extinguieran los dinosaurios y que hace que los arrecifes tengan el famoso aspecto del arcoíris.
Some modern linguistic theories watch all language in essence as metaphorical.[five] The etymology of the term may well uncover a metaphorical use that has because grow to be obscured with persistent use - like by way of example the English phrase " window", etymologically akin to "wind eye".[6]
El uso de la satisfiedáfora La metáfora es entonces una especie de analogía en la que una website serie de convenciones culturales permiten comparar un concepto con otro. Para los hispanohablantes es común, por ejemplo, comparar la predisposición a hablar mucho con la manera en la que la cotorra repite palabras, como en "ella es una cotorra", o usar la imagen de una "cabra" y la personalidad vivaz, energética e impredecible de estos animales para hablar de una persona que tiende tener estos mismos rasgos en su personalidad, como en "José es una cabra".